Venezuela
The Grayzone’s Max Blumenthal and Anya Parampil spoke about Venezuela at a side event at a United Nations Human Rights Council session in Geneva on March 19. They joined former special rapporteur Alfred de Zayas on a panel titled “Humanitarian crisis in Venezuela: Propaganda vs. reality.”
US-appointed coup leader Juan Guaidó and his right-wing economic advisers drafted plans to privatize Venezuela’s oil industry and open up the oil-rich country to foreign corporations, Reuters reported.
By Ben Norton
While online audiences know YouTube comedian Joanna Hausmann from her videos making the case for regime change, her economist father has flown below the radar. His record holds the key to understanding what the U.S. wants in Venezuela.
By Anya Parampil
The Pentagon was deeply involved in the production of the hit Hollywood film Captain Marvel, and is using the movie to spread recruitment propaganda.
By Ben Norton
Continue reading “Hollywood’s ‘Captain Marvel’ Blockbuster Is Blatant US Military Propaganda”
The US-funded CANVAS organization that trained Juan Guaido and his allies produced a 2010 memo on exploiting electricity outages and urged the opposition “to take advantage of the situation…towards their needs”
By Max Blumenthal
Venezuelan financial analyst Juan Carlos Peraza explains why he gave up a lucrative job as a Wall Street banker and returned home to support Hugo Chávez and the Bolivarian Revolution.
By Ben Norton
Continue reading “Why a Wall Street Banker Joined Venezuela’s Revolution”
Washington’s claim that Venezuela’s government has refused humanitarian aid is a gigantic lie. Kei Pritsker explains how the US deployed a mere $20 million in aid as a Trojan Horse for regime change.
By Kei Pritsker
Continue reading “VIDEO: The US Humanitarian Aid Ploy to Venezuela Explained”
The Grayzone investigated Venezuela’s “humanitarian crisis” in a luxury mall in a rich pro-opposition neighborhood in Caracas, where he looked for the “authoritarian socialism” that Trump and the corporate media talk so much about.
By Max Blumenthal
